Across the US, Christmas displays have appeared that mock aggressive federal immigration policies. These installations reimagine the classic Christmas story, depicting the newborn Christ and his family, Mary and Joseph, as figures caught up in the tactics of immigration authorities.
One striking display at a church in the Chicago suburb of Evanston features baby Jesus placed within a crib out in the snow. Yet, the figure is covered by the type of emergency thermal blankets frequently given to detainees and has its wrists bound with zip-ties.
Close by, the statue of the Virgin Mary is positioned outside the building, equipped with a gas mask. This item has been used by activists attempting protection from tear gas. She is flanked by figures of Roman soldiers, however in this scene they are dressed in tactical vests marked with the letters “ICE.”
At another Windy City church, the customary models of Jesus, Mary, and Joseph are nowhere to be seen from the standard nativity scene featuring animals and Magi. In their place, a sign bears a simple message: “Due to ICE activity in our neighborhood the Holy Family is in hiding.”
“The holiday season is a period where we have displays in front of the church and we get an chance to make a statement,” remarked a senior minister involved with one of the installations.
These artistic statements reflect the visible part taken by religious communities in ongoing protests against immigration enforcement. Similar socially conscious displays have appeared in other states.
In Massachusetts, a church took away the small statue of Christ from its nativity scene. In its spot was a handmade sign that read: “ICE was here.” Church officials are said to have stood defiant in the face of complaints from various religious and agency leadership.
For the creators of these displays, framing the ancient story of Christ’s birth within a modern political frame helps bring attention to current administrative priorities. They contend that the holy family’s experience as refugees mirrors the actual anxieties and realities of numerous households today, including family separation and the deportation of working loved ones.
It is not the first time churches have used Christmas displays for social commentary. In previous years, installations have addressed issues ranging from war to the environmental emergency.
The statements are not always universally welcomed. A church minister involved commented that some critics either do not fully understand the intent or “find it very challenging to their conscience and are lashing out at the art rather than considering what the true message is.”
In a literal sense, the elements have also affected one display. At a separate church, the figure of Joseph was knocked over in a storm and was unable to be restored. A substitute notice now occupies the space, stating: “Joseph didn’t make it. We hold this space to memorialize all the victims of enforcement terror.”
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